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repulsion66:

ALEXEY TITARENKOFROM THE NOMENKLATURA OF SIGNS SERIES.Executed between 1985 and 1991

repulsion66:

ALEXEY TITARENKO
FROM THE NOMENKLATURA OF SIGNS SERIES.
Executed between 1985 and 1991

repulsion66:

Pedro Chorao- Untitled
acrylic on canvas (1977)

repulsion66:

Pedro Chorao- Untitled

acrylic on canvas (1977)

(via mussu-cat)

resolutewoman:

into the great unknown. 

resolutewoman:

into the great unknown. 

(via itshardtofindafriend)

snpsnpsnp:

A black crow attacks one of the Pope’s white doves…

snpsnpsnp:

A black crow attacks one of the Pope’s white doves…

(via marcusblack1844)

8888888888888888888888:

irving penn - ingmar bergman

8888888888888888888888:

irving penn - ingmar bergman

mpdrolet:

From Post
Yusuf Sevinçli

mpdrolet:

From Post

Yusuf Sevinçli

(via kenhatter)

myimaginarybrooklyn:

psaaok:
"I.W.W hat card: ‘Bread or Revolution.’"  April 13, 1914.Source

myimaginarybrooklyn:

psaaok:

"I.W.W hat card: ‘Bread or Revolution.’"  April 13, 1914.
Source

(via fishstickmonkey)

I change
and I am the same.

I empty myself of my life
and my life remains.

— Mark Strand, from The Remains (via violentwavesofemotion)
davidsimonton:

Baltimore, 1962, Photo by Lee Friedlander

davidsimonton:

Baltimore, 1962, Photo by Lee Friedlander

(via kenhatter)


Oleg Zhuravlyov

Oleg Zhuravlyov

(via iloverainandcoffee)

blue-voids:

Gary Hill - Inasmuch As It Is Always Already Taking Place, 1990 - video installation

blue-voids:

Gary Hill - Inasmuch As It Is Always Already Taking Place, 1990 - video installation

(via confessionalaesthete)

alongtimealone:

Richard Diebenkorn.

alongtimealone:

Richard Diebenkorn.

(via artistjournals)

takayomomma:

Günther Uecker, Igel, 1964 
nails on canvas on wood, color and graphite | 87x87cm

takayomomma:

Günther Uecker, Igel, 1964 

nails on canvas on wood, color and graphite | 87x87cm

(via mizisham)

THEME BY PARTI